Tag Archives: design

Jansson: A Free 17th Century Cartography Brush Set

Janssonius: A Free 17th Century Cartography Brush Set for Fantasy Maps

If you’re like me most-likely you’re sheltering in place and doing your part to flatten the curve and keeping your loved ones, neighbors, and community healthy and safe. That comes with some downtime and that downtime is the perfect moment to dabble in cartography project! So, with that in mind, over the weekend I put together another free brush set for you to use in your projects.

This is Janssonius, a topographical brush set with a nautical flair based on Johannes Janssonius’ 1650 nautical chart of the Bay of Bengal, and I could see it being excellent for a wide variety of projects.

Often historical cartographers would use symbols familiar to their viewers no matter where a map was set, hills and mountains were rendered similar in appearance to those at home. Here, however, Janssonius incorporated local floral and landforms giving his chart a more tropical flair. It sets the symbols on these charts apart from his contemporaries like Joan Blaeu, and it adds a nice touch to the overall map.

I can’t wait to see what you create before now I haven’t based a set on nautical charts. So this round, I made sure to incorporate a whole host of maritime symbols—rocks, sounding marks, shallows, and a whole bunch more. This will be handy if you’re telling a tale set on the high seas or just want to add a flash of authenticity to the coasts of your maps. The full set has 275 brushes and includes the following:

  • 5 Individual Tents
  • 7 Grouped Tents
  • 25 Towns
  • 10 Cities
  • 6 Forts [Note: These could be symbols for mills, but taking into consideration the nature of the map, I believe they’re most likely fortifications.]
  • 25 Trees
  • 25 Palm Trees
  • 10 Palm Tree Groups
  • 8 Forests
  • 6 Fields
  • 20 Hills
  • 30 Mountains
  • 10 Mountain Ranges
  • 3 Anchorages
  • 2 Shipwrecks
  • 20 Rocks
  • 4 Shallows with Rocks
  • 10 Small Shallows
  • 5 Shallow Textures
  • 30 Sounding Marks
  • 5 People Cartouches
  • 3 Map Cartouches
  • 6 Ship Cartouches

The button below links to a ZIP file that contains a Photoshop brush set (it’ll also work in GIMP and with Affinity Photo) as well as a set of transparent PNGs in case you’re using a program that doesn’t support Adobe brush files. I’ve separated them by type: Settlements, Flora, & Landforms, and Nautical Symbols & Cartouches. They’re black, and they’ll look broken if viewed in Chrome, but trust me, they’re all there.


DOWNLOAD JANSSONIUS


As with all of my previous brush sets, Janssonius is free for any use. I distribute my sets with a Creative Common, No Rights Reserved License (CC0), which means you can freely use this and any of my brushes in commercial work and distribute adaptations. (Details on this decision here.) No attribution is required. Easy peasy!

Enjoy Janssonius? Feel free to show me what you created by sending me an email or finding me on Twitter. I love seeing how these brushes get used, and I’d be happy to share your work with my readers. Let me see what you make!


🌏 Janssonius In Use

Want to see this brush set in use? I put together a sample map and you can see the results below. There are three versions, a black and white version, one colored, and a decorated sample. Click on any of the images below to view them larger. Perhaps this will inspire you as you get started on your own projects!

         


💸 Supporting This Work

If you like the Janssonius brush set (or any of my free brushes, really) and want to support my work, instead of a donation, consider buying one of my speculative fiction novels. Digital copies of the first book—The Stars Were Right—are only 99¢ right now. With 100% of the profits being donated to the World Coastal Kitchen. I think you’ll dig it, You can find all my books in stores and online. Visit bellforgingcycle.com to learn more about the series. Tell your friends!

The Bell Forging CycleNot interested in my books but still want a way to support me? Buy me a coffee.


🗺 More Map Brushes

Janssonius isn’t the only brush set I’ve released. You can find other free brush sets with a wide variety of styles over on my Free Stuff page. Every set is free, distributed under a CC0 license, and open for personal or commercial use. I’m sure you’ll be able to find something that works for your project.

Vischer: A 17th Century Cartography Brush Set

Based on the amazing Archiducatus Austriae inferioris, an incredibly detailed map of lower Austria created by Georg Matthäus Vischer in 1697, this is the largest set I’ve released. Loads of detail and a unique approach to rendering forests and landforms aids this set in standing apart. A perfect set for the right project.

Braun: A Free 16th Century Urban Cartography Brush Set for Fantasy City MapsBraun: A 16th Century Urban Cartography Brush Set

The brushes within this urban-focused set are based on the incredible work of Georg Braun taken from his Civitates orbis terrarum—easily one of the most significant volumes of cartographic antiquity. The detail and density represented in these symbols give an extra layer of texture and is perfect for the right fantastical city map.

Ogilby - DecoratedOgilby: A Free 17th Century Road Atlas Brush Set

Taken from John Ogilby’s 1675 book Britannia, Volume the First, this set allows the creator to recreate road atlas from the 17th century in stunning detail, placing the traveler’s experience front and center. With over 800 brushes, this is my most extensive set to date and useful for a variety of projects. Several bonus downloads are also available, as well.

Van der Aa Sample Map - DecoratedVan der Aa: An 18th Century Cartography Brush Set

This regional map set is based on a map by Dutch cartographer and publisher, Pieter Van der Aa. It’s a beautifully rendered version of the Mingrelia region of northwest Georgia. While not as extensive as other sets, the size of the map allowed for larger brushes that helps highlight the uniqueness of each symbol. It also features a failed wall!

Gomboust: A 17th Century Urban Cartography Brush Set

My first brush set to focus on creating realistic maps for fantastical urban environments! Gomboust is a huge set, and its symbols are extracted from Jacques Gomboust’s beautiful 1652 map of Paris, France. His style is detailed yet quirky, isometric yet off-kilter, packed with intricacies, and it brings a lot of personality to a project.

Harrewyn: An 18th Century Cartography Brush SetHarrewyn: An 18th Century Cartography Brush Set

Based on Eugene Henry Fricx’s “Cartes des Paysbas et des Frontieres de France,” this set leans into its 1727 gothic styling and its focus on the developed rather than the natural. It’s hauntingly familiar yet strikingly different. If you’re looking for more natural elements, Harrewyn works well alongside other sets as well.

Popple: A Free 18th Century Cartography Brush SetPopple: A Free 18th Century Cartography Brush Set

This set has quickly become a favorite, and it’s perfect for a wide variety of projects. The brushes are taken from 1746’s A Map of the British Empire in America by Henry Popple, and it has a fresh style that does a fantastic job capturing the wildness of a frontier. Plus, it has swamps! And we know swamps have become a necessity in fantasy cartography.

Donia: A Free 17th Century Settlement Brush SetDonia: A Free 17th Century Settlement Brush Set

While not my most extensive set (a little over one hundred brushes), Donia boasts one of the more unique takes on settlements from the 17th century. If you’re looking for flora, I suggest checking out other sets, but if you want to pay attention to your map’s cities, towns, castles, churches, towers, forts, even fountains, then this is the right set for you.

Blaeu: A Free 17th Century Cartography Brush SetBlaeu: A Free 17th Century Cartography Brush Set

Based on Joan Blaeu’s Terræ Sanctæ—a 17th-century tourist map of the Holy Land—this set includes a ton of unique and varied signs as well as a large portion of illustrative cartouches that can add a flair authenticity to any fantasy map. Elegant and nuanced, everything works within a system, but nearly every sign is unique.

Aubers: An 18th Century Cartography Brush SetAubers: An 18th Century Cartography Brush Set

An 18th Century brush set based on a map from 1767 detailing the journey of François Pagès, a French naval officer, who accompanied the Spanish Governor of Texas on a lengthy exploration through Louisiana, Texas, and Mexico. A unique southwestern set with a few interesting deviations—including three volcanos!

L’Isle: An 18th Century Battlefield Brush SetL’Isle: An 18th Century Battlefield Brush Set

A departure from the norm, this set is based on the Plan Batalii map, which was included in a special edition of The First Atlas of Russia in 1745. A detailed view of a battle during the Russo-Turkish War of 1735–1739. Canon! Units! Battles! Perfect for mapping out the combat scenarios in your fantasy stories.

Widman: A 17th Century Cartography Brush SetWidman: A 17th Century Cartography Brush Set

A 17th Century brush set based on the work of Georgio Widman for Giovanni Giacomo de Rossi’s atlas published in 1692. A fantastic example of Cantelli da Vignola’s influence and a solid set for any fantastic map. This is the workhorse of antique map brush sets—perfect for nearly any setting.

Walser: An 18th Century Cartography Brush SetWalser: An 18th Century Cartography Brush Set

An 18th Century brush set based on the work of Gabriel Walser with a focus on small farms and ruins and a robust set of mountains and hills. This is a great brush set to see how Vignola’s influence persisted across generations. It was etched over 80 years after the Widman set, but you’ll find a few familiar symbols within.

Lumbia: A Sketchy Cartography Brush SetLumbia: A Sketchy Cartography Brush Set

A sketchy style brush set I drew myself that focuses on unique hills and mountains and personal customizability. My attempt at trying to channel the sort of map a barkeep would draw for a band of hearty adventurers. It includes extra-large brushes for extremely high-resolution maps.

Lehmann: A Hatchure Brush SetLehmann: A Hatchure Brush Set

Named after Austrian topographer Johann Georg Lehmann creator of the Lehmann hatching system in 1799, this is a path-focused brush set designed for Adobe Illustrator that attempts to captures the hand-drawn style unique 19th Century hachure-style mountains. This set works perfectly in conjunction with my other sets from the late 18th century.


Dead Drop: Missives from the desk of K. M. AlexanderWant to stay in touch with me? Sign up for Dead Drop, my rare and elusive newsletter. Subscribers get news, previews, and notices on my books before anyone else delivered directly to their inbox. I work hard to make sure it’s not spammy and full of interesting and relevant information.  SIGN UP TODAY →

Free Wonderdraft Symbol Sets Now Available

Free Wonderdraft Symbol Set Now Available

Occasionally I get emails from people asking about my brush sets and the map-making software Wonderdraft. It’s a great piece of software with a vibrant community of creators, one I’ve always wanted to support. But converting ABR files into individual objects has always been daunting, so I haven’t been able to support it like I wanted.

Until today. Thanks to the efforts of Richard Moyer, ten of my sets (nearly 4000 objects) are now available for Wonderdraft users! Like my Photoshop and GIMP sets, these are free to use for personal or commercial projects. No attribution required. You can download them and start using them immediately. The button below links to the set on Cartography Assets, a fantastic online resource for Wonderdraft addons. It includes details and advice on how to use these sets, so be sure to read the Overview.


K. M. ALEXANDER WONDERDRAFT MEGAPACK


Huge thank you to Richard for putting in this work. It’s a monumental endeavor and one that should be recognized. He even when the extra mile by including versions of the objects with opaque backgrounds to allow for easy layering. It cannot be said enough; this is a generous undertaking. So if you like these sets, don’t just thank me, thank Richard as well.

Happy map making!


Dead Drop: Missives from the desk of K. M. AlexanderWant to stay in touch with me? Sign up for Dead Drop, my rare and elusive newsletter. Subscribers get news, previews, and notices on my books before anyone else delivered directly to their inbox. I work hard to make sure it’s not spammy and full of interesting and relevant information.  SIGN UP TODAY →

Thirteen in Twelve

By now, it’s probably no secret that I have a love affair with maps. Particularly the historical maps of antiquity and all their quirky idiosyncrasy. Because of this love, I took it upon myself to embark on an expansive project for 2019. One that I am excited to say I have finished.

As many of you noticed, every month for the last twelve months, I’ve been releasing royalty-free brush sets for authors, game masters, worldbuilders, and general map enthusiasts. Anyone interested in making a fictional map, really. It’s a part of my #NoBadMaps initiative. While there’s no substitute for a professional illustrator, I saw these brush sets as a quick way to enable storytellers to create authentic-feeling cartography for their worlds. Digital brushes can work like “rubber stamps,” allowing anyone to click and place map elements wherever they want—no artistic talent needed. It’s a simple but effective solution.

With December’s release of Vischer, I’m excited to say I exceeded my goal. The target was twelve brush sets in twelve months. But! I was over-eager in February and released two that month, so I ended the year with thirteen.

celebrate!

I intentionally didn’t make a big announcement when I started this project, this was more of a quiet personal ambition. Making these was a small way I could give back to a community I cherish. Hopefully, these sets allow creators to feel empowered to tackle daunting projects, and perhaps, the connection to historic cartographers and engravers has helped make the history of cartography come alive.

There’s a line in Robert Baden-Powell’s final letter that I recall people repeating when I was a kid, and it’s resonated with me as an adult. It’s a mantra I try to embrace in everything I do, and I think it encapsulates the spirit of this project: “…leave this world a little better than you found it…”


…leave this world a little better than you found it…”


I believed I achieved that. Giving back is one of the greatest things we can do as creators, I find it personally fulfilling, and I’ve been humbled by the results. Sure, it serves a small niche within our sprawling fantasy community, but it’s a niche that has welcomed these open-sourced sets. Since their launch, I’ve received many emails and twitter messages from creators making amazing things. That’s why I released these sets, and I couldn’t be happier.

✨🗺️


Dead Drop: Missives from the desk of K. M. AlexanderWant to stay in touch with me? Sign up for Dead Drop, my rare and elusive newsletter. Subscribers get news, previews, and notices on my books before anyone else delivered directly to their inbox. I work hard to make sure it’s not spammy and full of interesting and relevant information.  SIGN UP TODAY →

Vischer: A Free 17th Century Cartography Brush Set for Fantasy Maps

Vischer: A Free 17th Century Cartography Brush Set for Fantasy Maps

For December, I am releasing my thirteenth free fantasy map brush set of the year and it’s the most extensive collection I’ve ever assembled. I think you’ll dig this one.

Vischer: A Free 17th Century Cartography Brush Set for Fantasy Maps

Today’s topographic set is based on the Archiducatus Austriae inferioris, an incredibly detailed map of lower Austria created by Georg Matthäus Vischer in 1697. The style is unique and features a few stylistic touches that really help set it apart. Hills do double duty serving as forests, and the skylines of the cities, towns, and villages are rendered intricately, giving each their own individual look.

Vischer: A Free 17th Century Cartography Brush Set for Fantasy Maps

There’s also the matter of the Schlösser—the catchall German term for a château, manor houses, or palace. Vischer drew and labeled each of these. Often these buildings were moated, and while German has a word for “castle” (burg), it wasn’t uncommon for castles to also be dubbed “schloss.” (I recommend reading the linked page, there’s fascinating history surrounding those buildings, and it goes into much more detail.) For the sake of organizational sanity, I divided the schlösser into those that looked more manor-like and those that appeared more castle-esque.

Vischer: A Free 17th Century Cartography Brush Set for Fantasy Maps

Vischer included a key, in both German and Latin, and I did my best to follow it when labeling the signs and symbols. However, he didn’t always do the best job sticking to his own legend. Towards the latter plates, the symbol marking the schlösser changes, and it begins to often include an arrow (typically used to indicate a fortified location). I’m also half-sure that the mark for “town” might be more of an indicator that there is a market in that particular village or city. Likewise, he lists bathhouses on the legend, but they never showed up in the map itself! Those sorts of aberrations aren’t uncommon on old maps, and it’s part of what makes cartographic antiquities such fun.

Vischer: A Free 17th Century Cartography Brush Set for Fantasy Maps

This is a beautiful set, with a style that sets it apart from other maps of the era. I’m excited to be bringing it to everyone. I can’t wait to see what you do with it. With over nine hundred and fifty brushes, Vischer is my largest set of the year. There is a TON here allowing the map designer to make a really unique looking topographical map quickly and effectively. It includes the following:

  • 20 Small Settlements
  • 165 Villages
  • 20 Elevated Villages
  • 40 Towns
  • 25 Cities
  • 50 Manor-style Schlösser
  • 20 Elevated Manor-style Schlösser
  • 40 Castle-style Schlösser
  • 20 Elevated Castle-style Schlösser
  • 10 Monasteries
  • 15 Monasteries w/ Other Settlements
  • 30 Combined Settlements
  • 20 Houses
  • 10 Churches
  • 25 Unique Settlements
  • 20 Open Fields
  • 20 Furrowed Fields
  • 20 Hedgerow Fields
  • 20 Hedgerows
  • 20 Vineyards
  • 30 Wetlands
  • 20 Scrub
  • 20 Individual Trees
  • 15 Forests
  • 150 Regular Hills
  • 20 Steep Hills
  • 30 Cultivated Hills
  • 10 Mountains
  • 3 Windmills
  • 5 Glass Kiln Markers
  • 15 Postal Markers
  • 5 Transport Cartouches
  • 10 Ruins & Monuments
  • 5 Crosses
  • 5 Unique Cartouches

The button below links to a ZIP file that contains a Photoshop brush set (it’ll also work in GIMP). I normally include a set of transparent PNGs in case you’re using a program that doesn’t support Adobe brush files, but I’ve separated them out this time to save on file-size. You can download them via the link below. They’re black, and they’ll look broken if viewed in Chrome, but trust me, they’re all there.


DOWNLOAD VISCHER

Download all the PNGs


As with all of my previous brush sets, Vischer is free for any use. I distribute my sets with a Creative Common, No Rights Reserved License (CC0), which means you can freely use this and any of my brushes in commercial work and distribute adaptations. (Details on this decision here.) No attribution is required. Easy peasy!

Enjoy Vischer? Feel free to show me what you created by sending me an email or finding me on Twitter. I love seeing how these brushes get used, and I’d be happy to share your work with my readers. Let me see what you make!


🌏 Vischer In Use

Want to see this brush set in use? I put together a sample map using Vischer. There are three versions, a black and white version, one colored, and a decorated sample. Click on any of the images below to view them larger. Perhaps this will inspire you in your projects!

          


💸 Supporting This Work

If you like the Vischer brush set (or any of my free brushes, really) and want to support my work, instead of a donation, consider buying one of my speculative fiction novels. The first book—The Stars Were Right—is only $2.99 on eBook. I think you’ll dig it. You can find all my books in stores and online. Visit bellforgingcycle.com to learn more about the series. Tell your friends!

The Bell Forging CycleNot interested in my books but still want a way to support me? Buy me a coffee.


🗺 More Map Brushes

Vischer isn’t the only brush set I’ve released. You can find other free brush sets with a wide variety of styles over on my Free Stuff page. Every set is free, distributed under a CC0 license, and open for personal or commercial use. I’m sure you’ll be able to find something that works for your project.

Braun: A Free 16th Century Urban Cartography Brush Set for Fantasy City MapsBraun: A 16th Century Urban Cartography Brush Set

The brushes within this urban-focused set are based on the incredible work of Georg Braun taken from his Civitates orbis terrarum—easily one of the most significant volumes of cartographic antiquity. The detail and density represented in these symbols give an extra layer of texture and is perfect for the right fantastical city map.

Ogilby - DecoratedOgilby: A Free 17th Century Road Atlas Brush Set

Taken from John Ogilby’s 1675 book Britannia, Volume the First, this set allows the creator to recreate road atlas from the 17th century in stunning detail, placing the traveler’s experience front and center. With over 800 brushes, this is my most extensive set to date and useful for a variety of projects. Several bonus downloads are also available, as well.

Van der Aa Sample Map - DecoratedVan der Aa: An 18th Century Cartography Brush Set

This regional map set is based on a map by Dutch cartographer and publisher, Pieter Van der Aa. It’s a beautifully rendered version of the Mingrelia region of northwest Georgia. While not as extensive as other sets, the size of the map allowed for larger brushes that helps highlight the uniqueness of each symbol. It also features a failed wall!

Gomboust: A 17th Century Urban Cartography Brush Set

My first brush set to focus on creating realistic maps for fantastical urban environments! Gomboust is a huge set, and its symbols are extracted from Jacques Gomboust’s beautiful 1652 map of Paris, France. His style is detailed yet quirky, isometric yet off-kilter, packed with intricacies, and it brings a lot of personality to a project.

Harrewyn: An 18th Century Cartography Brush SetHarrewyn: An 18th Century Cartography Brush Set

Based on Eugene Henry Fricx’s “Cartes des Paysbas et des Frontieres de France,” this set leans into its 1727 gothic styling and its focus on the developed rather than the natural. It’s hauntingly familiar yet strikingly different. If you’re looking for more natural elements, Harrewyn works well alongside other sets as well.

Popple: A Free 18th Century Cartography Brush SetPopple: A Free 18th Century Cartography Brush Set

This set has quickly become a favorite, and it’s perfect for a wide variety of projects. The brushes are taken from 1746’s A Map of the British Empire in America by Henry Popple, and it has a fresh style that does a fantastic job capturing the wildness of a frontier. Plus, it has swamps! And we know swamps have become a necessity in fantasy cartography.

Donia: A Free 17th Century Settlement Brush SetDonia: A Free 17th Century Settlement Brush Set

While not my most extensive set (a little over one hundred brushes), Donia boasts one of the more unique takes on settlements from the 17th century. If you’re looking for flora, I suggest checking out other sets, but if you want to pay attention to your map’s cities, towns, castles, churches, towers, forts, even fountains, then this is the right set for you.

Blaeu: A Free 17th Century Cartography Brush SetBlaeu: A Free 17th Century Cartography Brush Set

Based on Joan Blaeu’s Terræ Sanctæ—a 17th-century tourist map of the Holy Land—this set includes a ton of unique and varied signs as well as a large portion of illustrative cartouches that can add a flair authenticity to any fantasy map. Elegant and nuanced, everything works within a system, but nearly every sign is unique.

Aubers: An 18th Century Cartography Brush SetAubers: An 18th Century Cartography Brush Set

An 18th Century brush set based on a map from 1767 detailing the journey of François Pagès, a French naval officer, who accompanied the Spanish Governor of Texas on a lengthy exploration through Louisiana, Texas, and Mexico. A unique southwestern set with a few interesting deviations—including three volcanos!

L’Isle: An 18th Century Battlefield Brush SetL’Isle: An 18th Century Battlefield Brush Set

A departure from the norm, this set is based on the Plan Batalii map, which was included in a special edition of The First Atlas of Russia in 1745. A detailed view of a battle during the Russo-Turkish War of 1735–1739. Canon! Units! Battles! Perfect for mapping out the combat scenarios in your fantasy stories.

Widman: A 17th Century Cartography Brush SetWidman: A 17th Century Cartography Brush Set

A 17th Century brush set based on the work of Georgio Widman for Giovanni Giacomo de Rossi’s atlas published in 1692. A fantastic example of Cantelli da Vignola’s influence and a solid set for any fantastic map. This is the workhorse of antique map brush sets—perfect for nearly any setting.

Walser: An 18th Century Cartography Brush SetWalser: An 18th Century Cartography Brush Set

An 18th Century brush set based on the work of Gabriel Walser with a focus on small farms and ruins and a robust set of mountains and hills. This is a great brush set to see how Vignola’s influence persisted across generations. It was etched over 80 years after the Widman set, but you’ll find a few familiar symbols within.

Lumbia: A Sketchy Cartography Brush SetLumbia: A Sketchy Cartography Brush Set

A sketchy style brush set I drew myself that focuses on unique hills and mountains and personal customizability. My attempt at trying to channel the sort of map a barkeep would draw for a band of hearty adventurers. It includes extra-large brushes for extremely high-resolution maps.

Lehmann: A Hatchure Brush SetLehmann: A Hatchure Brush Set

Named after Austrian topographer Johann Georg Lehmann creator of the Lehmann hatching system in 1799, this is a path-focused brush set designed for Adobe Illustrator that attempts to captures the hand-drawn style unique 19th Century hachure-style mountains. This set works perfectly in conjunction with my other sets from the late 18th century.


Dead Drop: Missives from the desk of K. M. AlexanderWant to stay in touch with me? Sign up for Dead Drop, my rare and elusive newsletter. Subscribers get news, previews, and notices on my books before anyone else delivered directly to their inbox. I work hard to make sure it’s not spammy and full of interesting and relevant information.  SIGN UP TODAY →

Braun: A Free 16th Century Urban Cartography Brush Set for Fantasy City Maps

Braun: A Free 16th Century Urban Cartography Brush Set for Fantasy City Maps

Many fantasy cartographers were excited when I launched Gomboust, my first brush set focused on the urban environment. I immediately starting making plans to release a second set. After all, what’s a fantasy setting without a wondrous city to explore?

Today I’m proud to release Braun, a 16th-century urban cartography brush set based on the incredible work of Georg Braun take from Civitates orbis terrarum—easily one of the most significant volumes of cartographic antiquity featuring bird’s eye maps of over five hundred and forty Renaissance cities. As you can imagine, this was a massive project, and it involved many more artists and cartographers. (A more extensive list is on Braun’s wiki page.) Georg Braun was the principle on the project, so the naming honor goes to him. Most of the signs extracted for this set came from the prints of Lyon, GhentUtrecht, and a bit from Paris. Every map was a little different, and I focused on making sure the size, print quality, and line work all worked seamlessly together. With so much more out there, I could see a Braun supplement coming in the future as well.

A sample of Braun's brushes

I really like the density represented in these symbols. Every little building is rendered no matter how mundane, and the added detail gives an extra layer of texture to a map. It feels vibrant and alive and has a “lived-in” quality that’s perfect for the right fantastical city map.

As I mentioned when I launched Gomboust, wielding these brushes is more advanced than topographical sets. To capture your vision, you’ll want to plan or at least have a decent knowledge of your tools. Spend some time with the brushes, learn what’s available. Be willing to edit and adjust them, it’ll allow you to make critical decisions and help fully realize your vision.

A second sample of the Braun set

Braun isn’t enormous, but it’s effective. Its simple style and strong linework make repetition harder to spot, especially if symbols are merged and edited together. It includes the following:

  • 20 Single Homes
  • 20 Groups of Homes
  • 40 Small Blocks
  • 30 Large Blocks
  • 35 Unique Blocks
  • 20 Churches
  • 10 Small Bridges
  • 5 Large Bridges
  • 20 Dead Trees
  • 30 Leafy Trees
  • 20 Unique Points of Interest
  • 20 Windmills
  • 10 Crosses
  • 10 Walls
  • 10 Wells
  • 10 Fountains
  • 10 Shadoofs
  • 10 Boats

The button below links to a ZIP file that contains a Photoshop brush set (it’ll also work in GIMP) as well as a set of transparent PNGs in case you’re using a program that doesn’t support Adobe brush files. I’ve separated them by type: City Blocks and Points of Interest & Flora. They’re black, and they’ll look broken if viewed in Chrome, but trust me, they’re all there.


DOWNLOAD BRAUN


As with all of my previous brush sets, Braun is free for any use. I distribute my sets with a Creative Common, No Rights Reserved License (CC0), which means you can freely use this and any of my brushes in commercial work and distribute adaptations. (Details on this decision here.) No attribution is required. Easy peasy!

Enjoy Braun? Feel free to show me what you created by sending me an email or finding me on Twitter. I love seeing how these brushes get used, and I’d be happy to share your work with my readers. Let me see what you make!


🌏 Braun In Use

Want to see this brush set in use? I put together a sample map using Braun. There are three versions, a black and white version, one colored, and a decorated sample. Click on any of the images below to view them larger. Perhaps this will inspire you in your projects!

Braun - Example    Braun - Colored    Braun - Decorated


💸 Supporting This Work

If you like the Braun brush set (or any of my free brushes, really) and want to support my work, instead of a donation, consider buying one of my speculative fiction novels. The first book—The Stars Were Right—is only $2.99 on eBook. I think you’ll dig it. You can find all my books in stores and online. Visit bellforgingcycle.com to learn more about the series. Tell your friends!

The Bell Forging CycleNot interested in my books but still want a way to support me? Buy me a coffee.


🗺 More Map Brushes

Braun isn’t the only brush set I’ve released. You can find other free brush sets with a wide variety of styles over on my Free Stuff page. Every set is free, distributed under a CC0 license, and open for personal or commercial use. I’m sure you’ll be able to find something that works for your project.

Ogilby - DecoratedOgilby: A Free 17th Century Road Atlas Brush Set

Taken from John Ogilby’s 1675 book Britannia, Volume the First, this set allows the creator to recreate road atlas from the 17th century in stunning detail, placing the traveler’s experience front and center. With over 800 brushes, this is my most extensive set to date and useful for a variety of projects. Several bonus downloads are also available, as well.

Van der Aa Sample Map - DecoratedVan der Aa: An 18th Century Cartography Brush Set

This regional map set is based on a map by Dutch cartographer and publisher, Pieter Van der Aa. It’s a beautifully rendered version of the Mingrelia region of northwest Georgia. While not as extensive as other sets, the size of the map allowed for larger brushes that helps highlight the uniqueness of each symbol. It also features a failed wall!

Gomboust: A 17th Century Urban Cartography Brush Set

My first brush set to focus on creating realistic maps for fantastical urban environments! Gomboust is a huge set, and its symbols are extracted from Jacques Gomboust’s beautiful 1652 map of Paris, France. His style is detailed yet quirky, isometric yet off-kilter, packed with intricacies, and it brings a lot of personality to a project.

Harrewyn: An 18th Century Cartography Brush SetHarrewyn: An 18th Century Cartography Brush Set

Based on Eugene Henry Fricx’s “Cartes des Paysbas et des Frontieres de France,” this set leans into its 1727 gothic styling and its focus on the developed rather than the natural. It’s hauntingly familiar yet strikingly different. If you’re looking for more natural elements, Harrewyn works well alongside other sets as well.

Popple: A Free 18th Century Cartography Brush SetPopple: A Free 18th Century Cartography Brush Set

This set has quickly become a favorite, and it’s perfect for a wide variety of projects. The brushes are taken from 1746’s A Map of the British Empire in America by Henry Popple, and it has a fresh style that does a fantastic job capturing the wildness of a frontier. Plus, it has swamps! And we know swamps have become a necessity in fantasy cartography.

Donia: A Free 17th Century Settlement Brush SetDonia: A Free 17th Century Settlement Brush Set

While not my most extensive set (a little over one hundred brushes), Donia boasts one of the more unique takes on settlements from the 17th century. If you’re looking for flora, I suggest checking out other sets, but if you want to pay attention to your map’s cities, towns, castles, churches, towers, forts, even fountains, then this is the right set for you.

Blaeu: A Free 17th Century Cartography Brush SetBlaeu: A Free 17th Century Cartography Brush Set

Based on Joan Blaeu’s Terræ Sanctæ—a 17th-century tourist map of the Holy Land—this set includes a ton of unique and varied signs as well as a large portion of illustrative cartouches that can add a flair authenticity to any fantasy map. Elegant and nuanced, everything works within a system, but nearly every sign is unique.

Aubers: An 18th Century Cartography Brush SetAubers: An 18th Century Cartography Brush Set

An 18th Century brush set based on a map from 1767 detailing the journey of François Pagès, a French naval officer, who accompanied the Spanish Governor of Texas on a lengthy exploration through Louisiana, Texas, and Mexico. A unique southwestern set with a few interesting deviations—including three volcanos!

L’Isle: An 18th Century Battlefield Brush SetL’Isle: An 18th Century Battlefield Brush Set

A departure from the norm, this set is based on the Plan Batalii map, which was included in a special edition of The First Atlas of Russia in 1745. A detailed view of a battle during the Russo-Turkish War of 1735–1739. Canon! Units! Battles! Perfect for mapping out the combat scenarios in your fantasy stories.

Widman: A 17th Century Cartography Brush SetWidman: A 17th Century Cartography Brush Set

A 17th Century brush set based on the work of Georgio Widman for Giovanni Giacomo de Rossi’s atlas published in 1692. A fantastic example of Cantelli da Vignola’s influence and a solid set for any fantastic map. This is the workhorse of antique map brush sets—perfect for nearly any setting.

Walser: An 18th Century Cartography Brush SetWalser: An 18th Century Cartography Brush Set

An 18th Century brush set based on the work of Gabriel Walser with a focus on small farms and ruins and a robust set of mountains and hills. This is a great brush set to see how Vignola’s influence persisted across generations. It was etched over 80 years after the Widman set, but you’ll find a few familiar symbols within.

Lumbia: A Sketchy Cartography Brush SetLumbia: A Sketchy Cartography Brush Set

A sketchy style brush set I drew myself that focuses on unique hills and mountains and personal customizability. My attempt at trying to channel the sort of map a barkeep would draw for a band of hearty adventurers. It includes extra-large brushes for extremely high-resolution maps.

Lehmann: A Hatchure Brush SetLehmann: A Hatchure Brush Set

Named after Austrian topographer Johann Georg Lehmann creator of the Lehmann hatching system in 1799, this is a path-focused brush set designed for Adobe Illustrator that attempts to captures the hand-drawn style unique 19th Century hachure-style mountains. This set works perfectly in conjunction with my other sets from the late 18th century.


Dead Drop: Missives from the desk of K. M. AlexanderWant to stay in touch with me? Sign up for Dead Drop, my rare and elusive newsletter. Subscribers get news, previews, and notices on my books before anyone else delivered directly to their inbox. I work hard to make sure it’s not spammy and full of interesting and relevant information.  SIGN UP TODAY →

Ogilby: A Free 17th Century Road Atlas Brush Set

Ogilby: A Free 17th Century Road Atlas Brush Set for Fantasy Maps

“You come to a Descent sprinkled with Woods, whence by Loudwater, a small Village, (a Brook accompanying your Road on the Left) at 32’3. You enter High Wickham, seated in a pleasant Vale, a large and Well-built Town, numbering near 200 Houses, with several good Inns, as the Cathern Wheel, etc. Is Govern’d by a Mayor, Recorder, etc. Sends Burgesses to Parliament, hath a well-frequented Market on Fridays, and two Fairs annually…”

Outside of some slight language differences, that description of 17th century High Wycombe could be taken from any modern travel guide. It comes from John Ogilby’s 1675 book Britannia, Volume the First. Or an Illustration of the Kingdom of England and Dominion of Wales: By a Geographical and Historical Description of the Principal Roads thereof (the full title goes on much longer, and I’ll spare us all.) Britannia is, in essence, part road atlas and part travel guide—it also serves as the source for my latest brush set named after the man himself: Ogilby.

The Road from Bristol to Exeter, 1675
John Ogilby’s depiction of the road from Bristol to Exeter

While the depictions of British towns, inns, and valleys are charming, the actual maps themselves are a delight. They are unlike anything I’ve seen before. These maps place the traveler’s perspective front and center making for a much more intimate experience. Read bottom to top and left to right one can trace their route through the countryside. Windmills, wells, ponds, homes, and churches are lovingly depicted as well as are the small towns clustered around roads and random points of interest. Climbs and descents are documented as one would encounter them as they crossed the rolling countryside. The route will move, but barely, instead, significant turns are shown with subtle shifts indicated by the compass rose that rotates on subsequent “scrolls.” I thought this was an interesting solution to show more substantial variations in a road’s direction.

Fiction has long had a fascination with the road story, and fantasy isn’t an exception. So it’s a wonder this sort of map hasn’t been attempted before. (Prove me wrong, if you know a book with this style of road atlas, let me know!) It’s so useful and such an interesting presentation. After spending some time with the plates and Ogilby’s descriptions, I knew at once these etchings would make an excellent brush set. Whether one is attempting to recreate an Ogilby-style road atlas or just using his various signs and symbols on a more standard map.

As I worked, I realized that I would need to build this set off of multiple plates, and uh… the set sort of grew in the making. Ogilby is now my largest set ever. Inside you’ll find over 870 brushes (yes, seriously), including:

  • 60 Homesteads
  • 50 Manor Halls
  • 10 Hamlets
  • 60 Villages
  • 10 Large Villages
  • 20 Steepled Churches
  • 70 Towered Churches
  • 10 Priories
  • 5 Unique Churches
  • 20 Castles
  • 20 Unique Settlements
  • 10 Ponds
  • 20 Rills/Streams
  • 10 Rills/Streams w/ Bridges
  • 20 Rivers w/ Bridges
  • 20 Heath/Wetlands
  • 20 Hills
  • 20 Upslopes (Hills with space for roads to pass up them)
  • 20 Downslopes (Inverted hills with space for roads to pass down them)
  • 20 Unique Slopes
  • 30 Scrub Lands
  • 30 Leafy Trees
  • 30 Evergreen Trees
  • 30 Bushy Trees
  • 10 Leafy Forests
  • 10 Evergreen Forests
  • 30 Bushy Forests
  • 40 Windmills
  • 10 Elevated Windmills
  • 20 Beacons
  • 20 Gallows
  • 5 Wells
  • 5 Springs
  • 10 Quarries
  • 10 Coal Pits
  • 10 Lead Mines
  • 10 Parks
  • 10 Monuments
  • 15 Unique Points-of-Interest
  • 20 “Plain” Compasses
  • 35 Standard Compasses
  • 15 Complex Compasses
  • 5 Combined Compasses
  • 3 Boats

The button below links to a ZIP file that contains a Photoshop brush set (it’ll work in GIMP as well) as well as a set of transparent PNGs in case you’re using a program that doesn’t support Adobe brush files. I’ve separated them by type, Settlements, Points of Interest, Flora, Cartouches, and Landforms. They’re black, and they’ll look broken if viewed in Chrome, but trust me, they’re all there.

[ ! ] Bonus #1 – I’ve also included the option to download a blank and layered PSD of the scroll background used in Ogilby’s original maps. To save on file size, this must be downloaded separately. It also includes a transparent png.

[ ! ] Bonus #2 – I found more success mimicking Ogibly’s road styles in Adobe Illustrator. This will allow one to recreate the various styles of roads Ogilby uses across his maps quickly and efficiently. Like the Scroll background, this must be downloaded separately and it requires Adobe Illustrator.


DOWNLOAD OGILBY

Download the Ogilby Scrolls Background

Download the Ogilby Illustrator Road Brush Set


As with all of my previous brush sets, Ogilby is free for any use. I distribute my sets with a Creative Common, No Rights Reserved License (CC0), which means you can freely use this and any of my brushes in commercial work and distribute adaptations. (Details on this decision here.) No attribution is required. Easy peasy!

Enjoy Ogilby. Feel free to show me what you created by sending me an email or finding me on Twitter. I love seeing how these brushes get used, and I’d be happy to share your work with my readers. Let me see what you make!


🌏 Ogilby In Use

Want to see this brush set in use? I put together a sample map using Ogilby, and you can see a few variants below. Just click on any of the images below to view them larger.

Ogilby Sample Map - Black and White     Ogilby Sample Map - Colored    Ogilby Sample Map - Decorated

💸 Supporting This Work

If you like the Ogilby brush set (or any of my free brushes, really) and want to support my work, instead of a donation, consider buying one of my speculative fiction novels. The first book—The Stars Were Right—is only $2.99 on eBook. I think you’ll dig it. You can find all my books in stores and online. Visit bellforgingcycle.com to learn more about the series. Tell your friends!

The Bell Forging CycleNot interested in my books but still want a way to support me? Buy me a coffee.


🗺 More Map Brushes

Ogilby isn’t the only brush set I’ve released. You can find other free brush sets with a wide variety of styles over on my Free Stuff page. Every set is free, distributed under a CC0 license, and open for personal or commercial use. I’m sure you’ll be able to find something that works for your project.

Van der Aa Sample Map - DecoratedVan der Aa: An 18th Century Cartography Brush Set

This regional map set is based on a map by Dutch cartographer and publisher, Pieter Van der Aa. It’s a beautifully rendered version of the Mingrelia region of northwest Georgia. While not as extensive as other sets, the size of the map allowed for larger brushes that helps highlight the uniqueness of each symbol. It also features a failed wall!

Gomboust: A 17th Century Urban Cartography Brush Set

My first brush set to focus on creating realistic maps for fantastical urban environments! Gomboust is a huge set, and its symbols are extracted from Jacques Gomboust’s beautiful 1652 map of Paris, France. His style is detailed yet quirky, isometric yet off-kilter, packed with intricacies, and it brings a lot of personality to a project.

Harrewyn: An 18th Century Cartography Brush SetHarrewyn: An 18th Century Cartography Brush Set

Based on Eugene Henry Fricx’s “Cartes des Paysbas et des Frontieres de France,” this set leans into its 1727 gothic styling and its focus on the developed rather than the natural. It’s hauntingly familiar yet strikingly different. If you’re looking for more natural elements, Harrewyn works well alongside other sets as well.

Popple: A Free 18th Century Cartography Brush SetPopple: A Free 18th Century Cartography Brush Set

This set has quickly become a favorite, and it’s perfect for a wide variety of projects. The brushes are taken from 1746’s A Map of the British Empire in America by Henry Popple, and it has a fresh style that does a fantastic job capturing the wildness of a frontier. Plus, it has swamps! And we know swamps have become a necessity in fantasy cartography.

Donia: A Free 17th Century Settlement Brush SetDonia: A Free 17th Century Settlement Brush Set

While not my most extensive set (a little over one hundred brushes), Donia boasts one of the more unique takes on settlements from the 17th century. If you’re looking for flora, I suggest checking out other sets, but if you want to pay attention to your map’s cities, towns, castles, churches, towers, forts, even fountains, then this is the right set for you.

Blaeu: A Free 17th Century Cartography Brush SetBlaeu: A Free 17th Century Cartography Brush Set

Based on Joan Blaeu’s Terræ Sanctæ—a 17th-century tourist map of the Holy Land—this set includes a ton of unique and varied signs as well as a large portion of illustrative cartouches that can add a flair authenticity to any fantasy map. Elegant and nuanced, everything works within a system, but nearly every sign is unique.

Aubers: An 18th Century Cartography Brush SetAubers: An 18th Century Cartography Brush Set

An 18th Century brush set based on a map from 1767 detailing the journey of François Pagès, a French naval officer, who accompanied the Spanish Governor of Texas on a lengthy exploration through Louisiana, Texas, and Mexico. A unique southwestern set with a few interesting deviations—including three volcanos!

L’Isle: An 18th Century Battlefield Brush SetL’Isle: An 18th Century Battlefield Brush Set for Fant

A departure from the norm, this set is based on the Plan Batalii map, which was included in a special edition of The First Atlas of Russia in 1745. A detailed view of a battle during the Russo-Turkish War of 1735–1739. Canon! Units! Battles! Perfect for mapping out the combat scenarios in your fantasy stories.

Widman: A 17th Century Cartography Brush SetWidman: A 17th Century Cartography Brush Set

A 17th Century brush set based on the work of Georgio Widman for Giovanni Giacomo de Rossi’s atlas published in 1692. A fantastic example of Cantelli da Vignola’s influence and a solid set for any fantastic map. This is the workhorse of antique map brush sets—perfect for nearly any setting.

Walser: An 18th Century Cartography Brush SetWalser: An 18th Century Cartography Brush Set

An 18th Century brush set based on the work of Gabriel Walser with a focus on small farms and ruins and a robust set of mountains and hills. This is a great brush set to see how Vignola’s influence persisted across generations. It was etched over 80 years after the Widman set, but you’ll find a few familiar symbols within.

Lumbia: A Sketchy Cartography Brush SetLumbia: A Sketchy Cartography Brush Set

A sketchy style brush set I drew myself that focuses on unique hills and mountains and personal customizability. My attempt at trying to channel the sort of map a barkeep would draw for a band of hearty adventurers. It includes extra-large brushes for extremely high-resolution maps.

Lehmann: A Hatchure Brush SetLehmann: A Hatchure Brush Set

Named after Austrian topographer Johann Georg Lehmann creator of the Lehmann hatching system in 1799, this is a path-focused brush set designed for Adobe Illustrator that attempts to captures the hand-drawn style unique 19th Century hachure-style mountains. This set works perfectly in conjunction with my other sets from the late 18th century.


Dead Drop: Missives from the desk of K. M. AlexanderWant to stay in touch with me? Sign up for Dead Drop, my rare and elusive newsletter. Subscribers get news, previews, and notices on my books before anyone else delivered directly to their inbox. I work hard to make sure it’s not spammy and full of interesting and relevant information.  SIGN UP TODAY →