Recently, as I’ve been ramping up my research for Book IV of the Bell Forging Cycle, I came across the work of illustrator Sebastien Ecosse. It’s no secret that I’m a fan of genre and concept art, longtime readers will immediately understand why Ecosse’s work stands out for me.
I was first drawn in by his landscapes, his cityscapes in particular. They’re layered, rich, and beautifully textured. Places of light and shadows. You can almost feel the humid air against your skin, smell the mix of bizarre aromas, and hear the tapestry of sounds echoing throughout. In many ways, they could be cousins to the megalopolis of Lovat from my novels. With his other work, Ecosse manages to capture a sense of foreboding and dread that lends itself well to horror—in particular, his Lovecraftian work. I’ve posted some of my favorites below, as always you can click to view them larger.
“Sur les Traces de Lovecraft” Nestiviqnen edition
Blacklight early concept design
“Sur les Traces de Lovecraft” Deep one Hybrid
Blacklight mood concept
Savage Tales of Horror
Ecosse has prints available for purchase, and you can see much more of his work over on his website: sebastienecosse.com. You can also find him on ArtStation and Deviant Art. Be sure to check him out on Facebook or over follow him over on Twitter. Perhaps, like me, you’ll find yourself inspired.
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If you like Sebastien Ecosse’s work be sure to check out some other illustrators and concept artists I’ve shared in the past:
I’ve been ramping up my research for The Bell Forging Cycle, Book IV and while browsing through my Pinterest boards, I kept coming across the work of Chinese illustrator Zhichao Cai also known as Trylea. Since I found his work inspiring, I figured it’d be worth it to take a moment and share some of my favorite pieces with you.
When it comes to mood boards, I tend to like grimy and dank cityscapes occasionally interrupted with bright splashes of neon. So my eye is always drawn to pieces that show clusters of humanity. Trylea’s work has that, but it also differs significantly. It’s mainly due to his use of color. Even his densely packed cities are awash with a vibrancy that captures a unique and frenetic energy—it makes his work stand out, and his pieces serve as a good reminder that even in concept art we don’t need everything to be grim.
I included a small gallery of some of my favorite work below.
Yun Yunzhi – Tiangong Qingyang (Detail)
City in the Clouds
Izumochi – Moonlight Panorama
Song of Void Mountain
You can check out much more of Trylea’s work on his Zcool page, that seems to be where he shares most of his work. He also posts high-resolution versions as well as some process shots. It’s worth spending some time on his page. You can also find him on Behance, and he has some work on Art Station. If you’re not a member of any of those sites, I encourage you to join and give Trylea a follow.
If you like Zhichao Cai’s work be sure to check out some other illustrators and concept artists I’ve shared in the past: