As I posted previously, I spent the weekend in Los Angeles, California for the launch of Kari-Lise’s latest body of work, WAKE. While I’ll have more to share about the trip in the future, I wanted to write a quick update letting everyone know that the whole show is now available to view online! Just click below and check it out. It’s incredible.
This was Kari-Lise’s first show in the L.A. market, and it was great to see so much support. The crew at the gallery were wonderful. The show looks amazing in the space. I was telling a friend this morning that it was nice to see the pieces hanging on a proper wall. A few fans even made treks from San Francisco and San Deigo to check out the show! Our trip was a blast and it was a whirlwind of a weekend.
If you’re in LA, go check it out. The show will be on display until April 22nd. You can also read more about WAKE and Kari-Lise’s work at any of the links below:
This weekend, Kari-Lise and I will head to Los Angeles for the opening of her latest show, WAKE at Thinkspace Gallery. The show opens on Saturday, April 1st, and we’ll both be there. If you live in L.A. come on by and say hello. We’d love to see you. The opening reception is from 6pm–9pm. The exhibition will be on display through April 22, 2017, and it is both free and open to the public.
For the last year, I have watched Kari-Lise work through the creation of this show, and I have been amazed by the outcome. I couldn’t be more proud. After launch, you’ll be able to view the full show at Thinkspace Gallery’s website, feel free tocontact the gallery directly to inquire about any particular piece. Kari-Lise is also sending out a collector preview to anyone subscribed to her newsletter, subscribe here.I’m excited for WAKE to finally launch so everyone else can enjoy the series. There’s a lot to love.
If you’re interested in the work from Kari-Lise’s previous shows, I’ve written about them before, and I’d encourage you to check them out. In late 2015 she released A Lovelorn Theft, earlier that year she shared her 2014 work in Inflorescence. She’s had other shows as well, and you can see these and more of her past work at her website, kari-lise.com.
It was a busy weekend in the Alexander household, but a fun one. In a wild convergence of entertainment, an enormous collection of events happened in Seattle. Griffey’s number was retired (24EVER!), Seafair—the annual hydroplane races and Blue Angels air show—were going on right outside my backdoor, and art was happening, a lot of art.
Longtime readers know that my amazing wife and partner in this life, Kari-Lise Alexander, is a painter, so art and art-related things were on our agenda for most of the weekend. If you follow me on Instagram, you probably saw my Instagram Stories over the weekend. But, I am a writer, not a photographer, and I wanted to expand on everything a bit more.
It was the first Thursday of August, which meant it was also the First Thursday Art Walk. Kari-Lise had a piece in the Seattle Squared show (this one) at a gallery called Axis. It was a fun little event. It was a good start to our art weekend, and it’s nice to see the neighborhood buzzing with life. I went and hit up another show across the street at a relatively new gallery, and then we bopped over to check out The Drawnk Show. I ended up hanging out with folks until late and arguing why Mad Max was one of the best movies ever made.
The second Seattle Art Fair was taking place, and we made it a point to attend. This year’s event was even better than the last. A ton of amazing work ranging from sculpture to installation was displayed. Choosing a favorite piece was tough, but I think the highlight for me was Hew Locke‘s The Wine Dark Sea, Group 4. What I saw was just a small selection of his full series, but the works were fascinating, intricate, and carried a lot of meaning. There was a lot to unpack.
After spending three hours browsing the fair, we checked out Juxtapoz x Superflat, curated by Takashi Murakami. It was incredible. It was nice to see a new venue in Seattle focusing on new contemporary and pop-surrealist artists. The artists participating are all well established names and it was good to see another presence like that in Seattle.
Roq La Rue has been a mainstay of the Seattle art scene for a long time, and it has become a keystone in the low-brow and pop-surrealism movements. It was the first gallery I ever visited when I moved to Seattle, and I’ve been hitting its events regularly for the last eight years.
Saturday was the launch party for its final show, Death and the Maiden 2. Kari-Lise had a piece in that show as well. Picking the Perfect Poison (pictured right) is one of my favorites and lucky for you prints are available. We spent a majority of the evening at the gallery hanging out with everyone who came out to see the show. It was great to see such a wide selection of Seattle artists represented.
It was also bittersweet. After the pieces come down, Roq La Rue is going away. It closes its doors this September. During the show and at the afterparty, a lot of locals—artists and fans alike—were sharing memories of the gallery and reflecting on how it had impacted our lives. It’s been a focal point of art walks for both Kari-Lise and me, and its exodus will be felt.
So, yeah, art happened and it was amazing. There were a few shows I missed, in particular, the Out of Sight show, which I regret. Our Sunday ended up being much quieter. We didn’t go to any galleries. I did some reading and spent a little time researching. I couldn’t get my brain in a space to write properly (despite my grand intent earlier in the week). Seafair was winding down. The Olympics were on. The Mariners swept the Angels.
This weekend Kari-Lise and I are heading down to sunny San Francisco to attend the opening of her latest series: A Lovelorn Theft, at Modern Eden Gallery.The show opens on Saturday, September 12th, and we’ll both be there. If you live in the area come on by and say hello. The opening reception is from 6pm–9pm. The exhibition will be on display through October 3, 2015, and it is both free and open to the public.
I absolutely love this series. A Lovelorn Theft was inspired by the swan maidens and selkies of Nordic folklore. Each piece places the viewer in the intimate role of a lovelorn voyeur, who spies these beautiful creatures for the first time. The work itself is stunning combining the styles of the Pre-Raphaelite movement with new contemporary and pop surrealism. It’s been fascinating to watch Kari-Lise develop this series over the last year, I’m so excited the public is now getting a chance to see them together. In my opinion, it’s her best work yet.
It’s been too long since I’ve done a visual inspiration post on here, so let’s fix that. I’ve long been a fan of the stunning atmospheric work of Russian artist Yuri Shwedoff, but when a friend of mine mentioned him today, I figured it’d be the perfect time to share his work with you. (So, you can all thank Chris.)
There is something very evocative about Shwedoff’s work and it’s more than his incredible compositions. Each piece tells a story and leaves the viewer hungering for more. That’s why I find it so inspiring. You can hear the howl of the wind moan across vast expanses. You’re there as his figures stare at immense landscapes of ancient monoliths. You can feel the energy present as an unlikely warrior steels herself for the coming of a terrible monster. It’s incredible work.
Shwedoff is active all over the internet and I highly recommend following him. Start by checking him out on Twitter and Instagram. You can buy your favorite piece from his shop on Society6and you can also support his work via Paetron and get exclusive HD images, process videos, and PSDs. If you want to see more of his work check it out at Behanceor at Art Station. There are a lot of great pieces, it’s hard to pick a favorite. If I had to decide I’d probably settle on Dragons (featured above). There’s a lot going in that single image and clearly more to the story. Which of Yuri Shwedoff’s work is your favorite?
Who doesn’t love kaijū? From Godzilla to King Kong, giant monsters are a mainstay within science fiction and fantasy. Literature has its share of famous giants. We have the shai-hulud in Dune, the avanc in The Scar, and even to the balrog in Lord of the Rings. There’s something incredibly engaging about enormous creatures.
Well, last year, some of my more artistic friends decided to celebrate these giant creatures and have taken to Tumblr for an event they call #Kaijuly. It’s a celebration in art of all things giant monster! Each day artists post new and original pieces starring creatures from film, movies, books, television, and myth. It’s a lot of fun. I’d highly recommend checking it out and if you’re the artistic type… perhaps participate yourself?